{"id":5685,"date":"2019-04-29T07:50:21","date_gmt":"2019-04-29T06:50:21","guid":{"rendered":"https:\/\/www.artelista.com\/blog\/?p=5685"},"modified":"2019-05-03T07:30:23","modified_gmt":"2019-05-03T06:30:23","slug":"la-critica-marcos-cortes-vega","status":"publish","type":"post","link":"https:\/\/www.artelista.com\/blog\/la-critica-marcos-cortes-vega\/","title":{"rendered":"La Cr\u00edtica: Marcos Cort\u00e9s Vega"},"content":{"rendered":"\n<p><style> &lt;!--  \/* Font Definitions *\/  @font-face {font-family:\"Cambria Math\"; panose-1:2 4 5 3 5 4 6 3 2 4; mso-font-charset:0; mso-generic-font-family:roman; mso-font-pitch:variable; mso-font-signature:-536870145 1107305727 0 0 415 0;} @font-face {font-family:Calibri; panose-1:2 15 5 2 2 2 4 3 2 4; mso-font-charset:0; mso-generic-font-family:swiss; mso-font-pitch:variable; mso-font-signature:-536859905 -1073697537 9 0 511 0;}  \/* Style Definitions *\/  p.MsoNormal, li.MsoNormal, div.MsoNormal {mso-style-unhide:no; mso-style-qformat:yes; mso-style-parent:\"\"; margin-top:0cm; margin-right:0cm; margin-bottom:8.0pt; margin-left:0cm; line-height:107%; mso-pagination:widow-orphan; font-size:11.0pt; font-family:\"Calibri\",sans-serif; mso-ascii-font-family:Calibri; mso-ascii-theme-font:minor-latin; mso-fareast-font-family:Calibri; mso-fareast-theme-font:minor-latin; mso-hansi-font-family:Calibri; mso-hansi-theme-font:minor-latin; mso-bidi-font-family:\"Times New Roman\"; mso-bidi-theme-font:minor-bidi; mso-fareast-language:EN-US;} a:link, span.MsoHyperlink {mso-style-priority:99; color:#0563C1; mso-themecolor:hyperlink; text-decoration:underline; text-underline:single;} a:visited, span.MsoHyperlinkFollowed {mso-style-noshow:yes; mso-style-priority:99; color:#954F72; mso-themecolor:followedhyperlink; text-decoration:underline; text-underline:single;} .MsoChpDefault {mso-style-type:export-only; mso-default-props:yes; font-size:11.0pt; mso-ansi-font-size:11.0pt; mso-bidi-font-size:11.0pt; font-family:\"Calibri\",sans-serif; mso-ascii-font-family:Calibri; mso-ascii-theme-font:minor-latin; mso-fareast-font-family:Calibri; mso-fareast-theme-font:minor-latin; mso-hansi-font-family:Calibri; mso-hansi-theme-font:minor-latin; mso-bidi-font-family:\"Times New Roman\"; mso-bidi-theme-font:minor-bidi; mso-fareast-language:EN-US;} .MsoPapDefault {mso-style-type:export-only; margin-bottom:8.0pt; line-height:107%;} @page WordSection1 {size:612.0pt 792.0pt; margin:70.85pt 3.0cm 70.85pt 3.0cm; mso-header-margin:36.0pt; mso-footer-margin:36.0pt; mso-paper-source:0;} div.WordSection1 {page:WordSection1;}<\/style>Si la <b><i>Ofelia<\/i> de Millais<\/b> descansa eternamente sobre el agua, la Ofelia de <a href=\"https:\/\/marcoscortes.artelista.com\/\">Marcos Cort\u00e9s Vega<\/a> tan solo se toma un descanso. El artista toma un primer plano de la modelo con la boca abierta pero con los ojos cerrados al contrario de lo que sucede con el personaje shakesperiano. Se trata de un gui\u00f1o ir\u00f3nico al que tal vez sea el cuadro m\u00e1s c\u00e9lebre del Prerrafaelismo: la<b><i> <\/i><\/b><a href=\"https:\/\/www.artelista.com\/obra\/5495059012873624-ofelia-en-la-piscina.html\"><b><i>Ofelia en la piscina<\/i><\/b><\/a><b> de Marcos Cort\u00e9s se hace la muerta <\/b>disfrutando de ese instante de plenitud sobre el agua.   <\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"alignright is-resized\"><a href=\"https:\/\/www.artelista.com\/obra\/5495059012873624-ofelia-en-la-piscina.html\" target=\"_blank\" rel=\"noreferrer noopener\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.artelista.com\/blog\/wp-content\/uploads\/2019\/04\/5495059012873624.jpg\" alt=\"Ofelia en la piscina, Marcos Cort\u00e9s.\" class=\"wp-image-5689\" width=\"294\" height=\"197\" srcset=\"https:\/\/www.artelista.com\/blog\/wp-content\/uploads\/2019\/04\/5495059012873624.jpg 1016w, https:\/\/www.artelista.com\/blog\/wp-content\/uploads\/2019\/04\/5495059012873624-300x201.jpg 300w, https:\/\/www.artelista.com\/blog\/wp-content\/uploads\/2019\/04\/5495059012873624-768x516.jpg 768w, https:\/\/www.artelista.com\/blog\/wp-content\/uploads\/2019\/04\/5495059012873624-640x430.jpg 640w, https:\/\/www.artelista.com\/blog\/wp-content\/uploads\/2019\/04\/5495059012873624-321x214.jpg 321w, https:\/\/www.artelista.com\/blog\/wp-content\/uploads\/2019\/04\/5495059012873624-140x94.jpg 140w\" sizes=\"(max-width: 294px) 100vw, 294px\" \/><\/a><figcaption>Ofelia en la piscina, Marcos Cort\u00e9s.<\/figcaption><\/figure><\/div>\n\n\n\n<p>Mujer y agua. Brisa que colorea el silencio culminante, sol que broncea pieles selectas, encuadres que dejan fuera cualquier atisbo de realidad \u00e1spera: no, hoy no queremos saber nada de lo que est\u00e1 m\u00e1s all\u00e1, queremos quedarnos aqu\u00ed, d\u00e1ndonos <b>ba\u00f1os de belleza pura<\/b>, sencilla, ahogando el ruido en un oc\u00e9ano de quietud.   <\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"alignleft is-resized\"><a href=\"https:\/\/www.artelista.com\/obra\/8153016592575280-sin-mas.html\" target=\"_blank\" rel=\"noreferrer noopener\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.artelista.com\/blog\/wp-content\/uploads\/2019\/04\/8153016592575280.jpg\" alt=\"Sin m\u00e1s, Marcos Cort\u00e9s.\" class=\"wp-image-5690\" width=\"214\" height=\"317\" srcset=\"https:\/\/www.artelista.com\/blog\/wp-content\/uploads\/2019\/04\/8153016592575280.jpg 515w, https:\/\/www.artelista.com\/blog\/wp-content\/uploads\/2019\/04\/8153016592575280-202x300.jpg 202w\" sizes=\"(max-width: 214px) 100vw, 214px\" \/><\/a><figcaption>Sin m\u00e1s, Marcos Cort\u00e9s.<\/figcaption><\/figure><\/div>\n\n\n\n<p><style> &lt;!--  \/* Font Definitions *\/  @font-face {font-family:\"Cambria Math\"; panose-1:2 4 5 3 5 4 6 3 2 4; mso-font-charset:0; mso-generic-font-family:roman; mso-font-pitch:variable; mso-font-signature:-536870145 1107305727 0 0 415 0;} @font-face {font-family:Calibri; panose-1:2 15 5 2 2 2 4 3 2 4; mso-font-charset:0; mso-generic-font-family:swiss; mso-font-pitch:variable; mso-font-signature:-536859905 -1073697537 9 0 511 0;}  \/* Style Definitions *\/  p.MsoNormal, li.MsoNormal, div.MsoNormal {mso-style-unhide:no; mso-style-qformat:yes; mso-style-parent:\"\"; margin-top:0cm; margin-right:0cm; margin-bottom:8.0pt; margin-left:0cm; line-height:107%; mso-pagination:widow-orphan; font-size:11.0pt; font-family:\"Calibri\",sans-serif; mso-ascii-font-family:Calibri; mso-ascii-theme-font:minor-latin; mso-fareast-font-family:Calibri; mso-fareast-theme-font:minor-latin; mso-hansi-font-family:Calibri; mso-hansi-theme-font:minor-latin; mso-bidi-font-family:\"Times New Roman\"; mso-bidi-theme-font:minor-bidi; mso-fareast-language:EN-US;} a:link, span.MsoHyperlink {mso-style-priority:99; color:#0563C1; mso-themecolor:hyperlink; text-decoration:underline; text-underline:single;} a:visited, span.MsoHyperlinkFollowed {mso-style-noshow:yes; mso-style-priority:99; color:#954F72; mso-themecolor:followedhyperlink; text-decoration:underline; text-underline:single;} .MsoChpDefault {mso-style-type:export-only; mso-default-props:yes; font-size:11.0pt; mso-ansi-font-size:11.0pt; mso-bidi-font-size:11.0pt; font-family:\"Calibri\",sans-serif; mso-ascii-font-family:Calibri; mso-ascii-theme-font:minor-latin; mso-fareast-font-family:Calibri; mso-fareast-theme-font:minor-latin; mso-hansi-font-family:Calibri; mso-hansi-theme-font:minor-latin; mso-bidi-font-family:\"Times New Roman\"; mso-bidi-theme-font:minor-bidi; mso-fareast-language:EN-US;} .MsoPapDefault {mso-style-type:export-only; margin-bottom:8.0pt; line-height:107%;} @page WordSection1 {size:612.0pt 792.0pt; margin:70.85pt 3.0cm 70.85pt 3.0cm; mso-header-margin:36.0pt; mso-footer-margin:36.0pt; mso-paper-source:0;} div.WordSection1 {page:WordSection1;} <\/style>\u00bfC\u00f3mo no <a href=\"https:\/\/www.artelista.com\/obra\/3846457271650941-te-atreves.html\">atreverse<\/a> con las acuarelas de Marcos Cort\u00e9s? Sin duda, el artista ha elegido <b>la t\u00e9cnica perfecta <\/b>para esta serie denominada <a href=\"https:\/\/www.artelista.com\/coleccion\/2158237070569838-la-mujer-y-el-agua.html\"><i>Mujer y Agua<\/i><\/a><i>.<\/i> La acuarela es una de las t\u00e9cnicas ideales para representar el agua, la humedad y la atm\u00f3sfera que esta genera. Y la luz, claro. Estos son los tres motivos que articulan la serie: la figura humana, generalmente en primeros plano o planos de detalle, el agua y la luz, siempre natural, con sabor mediterr\u00e1neo. <style> &lt;!--  \/* Font Definitions *\/  @font-face {font-family:\"Cambria Math\"; panose-1:2 4 5 3 5 4 6 3 2 4; mso-font-charset:0; mso-generic-font-family:roman; mso-font-pitch:variable; mso-font-signature:-536870145 1107305727 0 0 415 0;} @font-face {font-family:Calibri; panose-1:2 15 5 2 2 2 4 3 2 4; mso-font-charset:0; mso-generic-font-family:swiss; mso-font-pitch:variable; mso-font-signature:-536859905 -1073697537 9 0 511 0;}  \/* Style Definitions *\/  p.MsoNormal, li.MsoNormal, div.MsoNormal {mso-style-unhide:no; mso-style-qformat:yes; mso-style-parent:\"\"; margin-top:0cm; margin-right:0cm; margin-bottom:8.0pt; margin-left:0cm; line-height:107%; mso-pagination:widow-orphan; font-size:11.0pt; font-family:\"Calibri\",sans-serif; mso-ascii-font-family:Calibri; mso-ascii-theme-font:minor-latin; mso-fareast-font-family:Calibri; mso-fareast-theme-font:minor-latin; mso-hansi-font-family:Calibri; mso-hansi-theme-font:minor-latin; mso-bidi-font-family:\"Times New Roman\"; mso-bidi-theme-font:minor-bidi; mso-fareast-language:EN-US;} a:link, span.MsoHyperlink {mso-style-priority:99; color:#0563C1; mso-themecolor:hyperlink; text-decoration:underline; text-underline:single;} a:visited, span.MsoHyperlinkFollowed {mso-style-noshow:yes; mso-style-priority:99; color:#954F72; mso-themecolor:followedhyperlink; text-decoration:underline; text-underline:single;} .MsoChpDefault {mso-style-type:export-only; mso-default-props:yes; font-size:11.0pt; mso-ansi-font-size:11.0pt; mso-bidi-font-size:11.0pt; font-family:\"Calibri\",sans-serif; mso-ascii-font-family:Calibri; mso-ascii-theme-font:minor-latin; mso-fareast-font-family:Calibri; mso-fareast-theme-font:minor-latin; mso-hansi-font-family:Calibri; mso-hansi-theme-font:minor-latin; mso-bidi-font-family:\"Times New Roman\"; mso-bidi-theme-font:minor-bidi; mso-fareast-language:EN-US;} .MsoPapDefault {mso-style-type:export-only; margin-bottom:8.0pt; line-height:107%;} @page WordSection1 {size:612.0pt 792.0pt; margin:70.85pt 3.0cm 70.85pt 3.0cm; mso-header-margin:36.0pt; mso-footer-margin:36.0pt; mso-paper-source:0;} div.WordSection1 {page:WordSectio<\/style><\/p>\n\n\n\n<p><b>Las acuarelas de esta serie saben a mar, a verano sin fin<\/b>. Pero hay algo m\u00e1s. Buena parte de las figuras femeninas que Marcos Cort\u00e9s representa en sus obras cierran los ojos. En algunos casos, se <i>rinden a la serenidad<\/i>, como vimos tambi\u00e9n en la mencionada <i>Ofelia en la piscina<\/i> o en las deliciosas <a href=\"https:\/\/www.artelista.com\/obra\/2578069720079370-adios.html\"><i>Adi\u00f3s<\/i><\/a> y <a href=\"https:\/\/www.artelista.com\/obra\/9852773832816695-romance.html\"><i>Romance<\/i><\/a>. En otros casos, esos ojos se cierran en pleno \u00e9xtasis acu\u00e1tico como en <a href=\"https:\/\/www.artelista.com\/obra\/1440139076056708-en-penumbra.html\"><i>En<\/i> <i>Penumbra<\/i><\/a> o en <a href=\"https:\/\/www.artelista.com\/obra\/4490472232068939-lluvia-en-la-cara.html\"><i>Lluvia en la cara<\/i><\/a>.  <\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter is-resized\"><a href=\"https:\/\/www.artelista.com\/obra\/1689663245485134-por-la-ventana.html\" target=\"_blank\" rel=\"noreferrer noopener\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.artelista.com\/blog\/wp-content\/uploads\/2019\/04\/1689663245485134.jpg\" alt=\"Por la ventana, Marcos Cort\u00e9s.\" class=\"wp-image-5687\" width=\"235\" height=\"340\" srcset=\"https:\/\/www.artelista.com\/blog\/wp-content\/uploads\/2019\/04\/1689663245485134.jpg 524w, https:\/\/www.artelista.com\/blog\/wp-content\/uploads\/2019\/04\/1689663245485134-207x300.jpg 207w\" sizes=\"(max-width: 235px) 100vw, 235px\" \/><\/a><figcaption>Por la ventana, Marcos Cort\u00e9s.<\/figcaption><\/figure><\/div>\n\n\n\n<p>Esta feliz uni\u00f3n art\u00edstica entre la figura femenina y el agua encuentra su m\u00e1xima expresi\u00f3n en las acuarelas <i>subacu\u00e1ticas<\/i> en las que la <b>mujer bucea hacia su atol\u00f3n de sosiego <\/b>como sucede en <a href=\"https:\/\/www.artelista.com\/obra\/6805469343048538-donde-viven-los-pensamientos.html\"><i>Donde viven los pensamientos<\/i><\/a>, <a href=\"https:\/\/www.artelista.com\/obra\/8844740594663037-bajo-la-penumbra.html\"><i>Bajo la penumbra<\/i><\/a> o <a href=\"https:\/\/www.artelista.com\/obra\/5724329557555411-sueno-eterno.html\"><i>Sue\u00f1o Eterno<\/i><\/a>. Tampoco debemos olvidar las acuarelas en las que ya ni siquiera necesitamos el rostro de la modelo para sentir su placidez como en<i> <\/i><a href=\"https:\/\/www.artelista.com\/obra\/5890062028285925-el-mundo-al-reves.html\"><i>El mundo al rev\u00e9s<\/i><\/a> o <a href=\"https:\/\/www.artelista.com\/obra\/5049072882457308-a-remojo.html\"><i>A remojo<\/i><\/a>. Todo es, en definitiva,<i> <\/i><a href=\"https:\/\/www.artelista.com\/obra\/5988469074399186-claro-y-limpio.html\"><i>claro y limpio<\/i><\/a>, en las acuarelas de esta serie.  <\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter is-resized\"><a href=\"https:\/\/www.artelista.com\/obra\/2882841011196389-ignorame.html\" target=\"_blank\" rel=\"noreferrer noopener\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.artelista.com\/blog\/wp-content\/uploads\/2019\/04\/2882841011196389.jpg\" alt=\"Ign\u00f3rame, Marcos Cort\u00e9s.\" class=\"wp-image-5694\" width=\"328\" height=\"489\" srcset=\"https:\/\/www.artelista.com\/blog\/wp-content\/uploads\/2019\/04\/2882841011196389.jpg 511w, https:\/\/www.artelista.com\/blog\/wp-content\/uploads\/2019\/04\/2882841011196389-201x300.jpg 201w\" sizes=\"(max-width: 328px) 100vw, 328px\" \/><\/a><figcaption>Ign\u00f3rame, Marcos Cort\u00e9s.<\/figcaption><\/figure><\/div>\n\n\n\n<p>Pero Marcos Cort\u00e9s tambi\u00e9n saca su pincel en la<b> penumbra urbana<\/b> para contar otras historias menos amables, m\u00e1s literarias. En su serie <a href=\"https:\/\/www.artelista.com\/coleccion\/5424006642235744-de-noche.html\"><i>De Noche<\/i><\/a>, nos topamos tras girar la esquina con una figura oscura en medio del callej\u00f3n. Aunque la obra se llama <a href=\"https:\/\/www.artelista.com\/obra\/2004514996935466-hacia-la-luz.html\"><i>Hacia la luz<\/i><\/a>, todav\u00eda no hemos llegado a ella, el relato todav\u00eda no ha dicho su \u00faltima palabra.   <\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter is-resized\"><a href=\"https:\/\/www.artelista.com\/obra\/9198377779910952-ventana-floreada.html\" target=\"_blank\" rel=\"noreferrer noopener\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.artelista.com\/blog\/wp-content\/uploads\/2019\/04\/9198377779910952.jpg\" alt=\"Ventana floreada, Marcos Cort\u00e9s.\" class=\"wp-image-5695\" width=\"293\" height=\"426\" srcset=\"https:\/\/www.artelista.com\/blog\/wp-content\/uploads\/2019\/04\/9198377779910952.jpg 525w, https:\/\/www.artelista.com\/blog\/wp-content\/uploads\/2019\/04\/9198377779910952-206x300.jpg 206w\" sizes=\"(max-width: 293px) 100vw, 293px\" \/><\/a><figcaption>Ventana floreada, Marcos Cort\u00e9s.<\/figcaption><\/figure><\/div>\n\n\n\n<p>Es lo que sucede tambi\u00e9n en <a href=\"https:\/\/www.artelista.com\/obra\/1716489956947135-huida-blanca.html\"><i>Huida blanca<\/i><\/a>, una acuarela que bien podr\u00eda acompa\u00f1ar un relato de intriga. \u00bfHacia d\u00f3nde va? \u00bfPor qu\u00e9 se ha precipitado a la calle en plena tormenta de nieve? Si las obras de <i>Mujer y Agua<\/i> funcionan como estampas de un estado mental, <b>las acuarelas de <\/b><a href=\"https:\/\/www.artelista.com\/coleccion\/5424006642235744-de-noche.html\"><b><i>De Noche<\/i><\/b><\/a><b><i> <\/i>evocan historias, con un pasado crepuscular y un final todav\u00eda por descubrir<\/b>.   <\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter is-resized\"><a href=\"https:\/\/www.artelista.com\/obra\/7323116282841254-dejate-llevar.html\" target=\"_blank\" rel=\"noreferrer noopener\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.artelista.com\/blog\/wp-content\/uploads\/2019\/04\/7323116282841254.jpg\" alt=\"D\u00e9jate llevar, Marcos Cort\u00e9s.\" class=\"wp-image-5692\" width=\"218\" height=\"320\" srcset=\"https:\/\/www.artelista.com\/blog\/wp-content\/uploads\/2019\/04\/7323116282841254.jpg 520w, https:\/\/www.artelista.com\/blog\/wp-content\/uploads\/2019\/04\/7323116282841254-204x300.jpg 204w\" sizes=\"(max-width: 218px) 100vw, 218px\" \/><\/a><figcaption>D\u00e9jate llevar, Marcos Cort\u00e9s.<\/figcaption><\/figure><\/div>\n\n\n\n<p>Dentro de la producci\u00f3n de Marcos Cort\u00e9s tambi\u00e9n podemos encontrar piezas con motivos diversos. En <a href=\"https:\/\/www.artelista.com\/obra\/2586048478762449-clausura.html\"><i>Clausura<\/i><\/a>, el artista saca su pincel para fijar la luz tamizada por un ventanal de traza g\u00f3tica. O <a href=\"https:\/\/www.artelista.com\/obra\/4135260097086695-aullido.html\"><i>Aullido<\/i><\/a>, como ejemplo de la habilidad del artista para representar con detalle a los animales.   <\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"alignright is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.artelista.com\/blog\/wp-content\/uploads\/2019\/04\/3217058864741629.jpg\" alt=\"Vintage, Marcos Cort\u00e9s.\" class=\"wp-image-5688\" width=\"222\" height=\"326\" srcset=\"https:\/\/www.artelista.com\/blog\/wp-content\/uploads\/2019\/04\/3217058864741629.jpg 521w, https:\/\/www.artelista.com\/blog\/wp-content\/uploads\/2019\/04\/3217058864741629-205x300.jpg 205w\" sizes=\"(max-width: 222px) 100vw, 222px\" \/><figcaption>Vintage, Marcos Cort\u00e9s.<\/figcaption><\/figure><\/div>\n\n\n\n<p>Y es que <b>la acuarela est\u00e1 de moda<\/b>. Tiene las cualidades necesarias para captar instantes y atm\u00f3sferas, para evocar realidades cambiantes. El acuarelista ha tenido que batallar durante d\u00e9cadas contra la consideraci\u00f3n de su arte como una t\u00e9cnica de aprendizaje y casi infantil: el \u00f3leo en el lienzo es el arte mayor, el color flotando en agua y agarr\u00e1ndose al papel es un arte menor.   <\/p>\n\n\n\n<p>Pero ya no hay arte menor porque tampoco hay un arte mayor. El concepto<i> Bellas Artes<\/i> sabe a sombrero de copa y carruaje. Nuestro tiempo es otro y la acuarela tiene<b> ese punto de inmediatez<\/b> que tan bien lo representa. Solo hace falta echar un vistazo a la producci\u00f3n de Marcos Cort\u00e9s para comprobarlo.   <\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter is-resized\"><a href=\"https:\/\/www.artelista.com\/obra\/1736428075629265-sentada.html\" target=\"_blank\" rel=\"noreferrer noopener\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.artelista.com\/blog\/wp-content\/uploads\/2019\/04\/1736428075629265.jpg\" alt=\"Sentada, Marcos Cort\u00e9s.\" class=\"wp-image-5691\" width=\"399\" height=\"268\" srcset=\"https:\/\/www.artelista.com\/blog\/wp-content\/uploads\/2019\/04\/1736428075629265.jpg 1019w, https:\/\/www.artelista.com\/blog\/wp-content\/uploads\/2019\/04\/1736428075629265-300x202.jpg 300w, https:\/\/www.artelista.com\/blog\/wp-content\/uploads\/2019\/04\/1736428075629265-768x517.jpg 768w, https:\/\/www.artelista.com\/blog\/wp-content\/uploads\/2019\/04\/1736428075629265-640x431.jpg 640w, https:\/\/www.artelista.com\/blog\/wp-content\/uploads\/2019\/04\/1736428075629265-140x94.jpg 140w\" sizes=\"(max-width: 399px) 100vw, 399px\" \/><\/a><figcaption>Sentada, Marcos Cort\u00e9s.<\/figcaption><\/figure><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Si la Ofelia de Millais descansa eternamente sobre el agua, la Ofelia de Marcos Cort\u00e9s Vega tan solo se toma un descanso. El artista toma un primer plano de la modelo con la boca abierta pero con los ojos cerrados al contrario de lo que sucede con el personaje shakesperiano. Se trata de un gui\u00f1o [&hellip;]<\/p>\n","protected":false},"author":9,"featured_media":5691,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[23,1,8],"tags":[],"class_list":["post-5685","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-la-critica-nuestros-artistas","category-noticias","category-nuestros-artistas","et-has-post-format-content","et_post_format-et-post-format-standard"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.0 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>La Cr\u00edtica: Marcos Cort\u00e9s Vega - Artelista Magazine<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.artelista.com\/blog\/la-critica-marcos-cortes-vega\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"La Cr\u00edtica: Marcos Cort\u00e9s Vega - Artelista Magazine\" \/>\n<meta property=\"og:description\" content=\"Si la Ofelia de Millais descansa eternamente sobre el agua, la Ofelia de Marcos Cort\u00e9s Vega tan solo se toma un descanso. 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Se trata de un gui\u00f1o [&hellip;]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.artelista.com\/blog\/la-critica-marcos-cortes-vega\/\" \/>\n<meta property=\"og:site_name\" content=\"Artelista Magazine\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/Artelista\" \/>\n<meta property=\"article:published_time\" content=\"2019-04-29T06:50:21+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2019-05-03T06:30:23+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.artelista.com\/blog\/wp-content\/uploads\/2019\/04\/1736428075629265.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1019\" \/>\n\t<meta property=\"og:image:height\" content=\"686\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"David Rubio\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@Artelista\" \/>\n<meta name=\"twitter:site\" content=\"@Artelista\" \/>\n<meta name=\"twitter:label1\" content=\"Escrito por\" \/>\n\t<meta name=\"twitter:data1\" content=\"David Rubio\" \/>\n\t<meta name=\"twitter:label2\" content=\"Tiempo de lectura\" \/>\n\t<meta name=\"twitter:data2\" content=\"4 minutos\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/www.artelista.com\/blog\/la-critica-marcos-cortes-vega\/\",\"url\":\"https:\/\/www.artelista.com\/blog\/la-critica-marcos-cortes-vega\/\",\"name\":\"La Cr\u00edtica: Marcos Cort\u00e9s Vega - 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