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The painting opens like a dream suspended between ocean and cosmos—an in-between place where color is free to drift without gravity. Deep sapphire blues and midnight tones expand outward like an infinite sea, or perhaps the silent chambers of space itself. Within this vastness, bursts of light—emerald, lemon, and ivory—gather as though they are fragments of stars caught in motion, or luminous coral blossoming in a secret reef.
The strokes are alive with energy: some sharp and angular, as if charting constellations on an unseen map; others soft and dissolving, like memory fading into mist. Dashes of orange and green punctuate the scene, like sparks of life darting through a watery abyss. A sense of flow runs through it all, as if currents—whether tidal or cosmic—are carrying these radiant shards toward some hidden destination.
It is a place where light seems both broken and whole, shattered and yet reassembled into a symphony of motion. The eye drifts from one fragment to another, tracing invisible pathways across the canvas, like a voyager navigating through scattered islands of color.
The work feels like both a beginning and an ending, a scattering and a gathering. It could be read as the universe forming itself from chaos, or as a fleeting human thought dissolving into night. It is an invitation to wander—not to fix meaning, but to let the currents of color carry you somewhere between dream and waking.
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