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La imagen se construye a partir de capas superpuestas que caen verticalmente, como si el color se hubiera dejado arrastrar por la gravedad. Los tonos fríos —grises, azules apagados y verdes terrosos— se entremezclan con irrupciones cálidas de ocre y naranja, que aparecen como cicatrices o vestigios minerales. La textura rugosa y repetitiva sugiere erosión, acumulación y memoria: un paisaje no figurativo donde el tiempo no pasa, sino que se deposita.
Born in 1955 in Las Palmas de Gran Canaria. Self-taught, his foray into the painting appears in 1999, primarily as a hobby and that while she always liked to paint, never arose to devote part of their free time in this immersive and relaxing world of painting. He began this journey with the cake, which embodied mainly marine beach of Las Canteras, where he lived most of his childhood. Later made a slight foray into watercolor and oil subsequently became, technique to which he devotes about...
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