MEDITERRANEA BLUE

This painting manages depth and dispersion. Areas of impasto, small splatters, drags, and glazes keep the entire surface active. The eye finds no single focal point; it moves from one chromatic accent to another, from a dense area to a more porous one, and this movement is part of the work's meaning.

There is no literal depiction. What emerges is a visual translation of the surroundings, filtered through a desire for simplification, synthesis, and material refinement. That is why the work maintains its unity even when...