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La obra muestra una superficie profundamente texturizada, en la que predominan tonos ocres y amarillos sobre un fondo rojizo–morado. La pintura parece tener capas superpuestas, con relieves que evocan erosión, desgaste o restos de pigmento en una pared antigua. La composición es caótica y orgánica, pero sugiere figuras difusas que emergen y se ocultan, como si fueran vestigios de formas humanas o símbolos grabados en una piedra.
Podría interpretarse como una metáfora del paso del tiempo, la memoria o la huella de la historia en los muros.
Born in 1955 in Las Palmas de Gran Canaria. Self-taught, his foray into the painting appears in 1999, primarily as a hobby and that while she always liked to paint, never arose to devote part of their free time in this immersive and relaxing world of painting. He began this journey with the cake, which embodied mainly marine beach of Las Canteras, where he lived most of his childhood. Later made a slight foray into watercolor and oil subsequently became, technique to which he devotes about...
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