SPRING IN YELLOW

Spring in Yellow

This painting does not serve as a medium to illustrate a preexisting motif, but rather as a space where the image is organized through decisions regarding color, density, rhythm, and composition. There is a constant practice of observation, but that observation does not result in a literal description. What emerges is a visual translation of the environment, filtered through a desire for simplification and material adjustment.

The composition is formed through large chromatic areas that push against one another. Color acts as a structure, the material as a record of the process, and the framing as a tool for thought