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Estudio manierista de una figura masculina en gesto de máxima abstracción, inspirado en los dibujos volumétricos y "escultóricos" de Miguel Ángel, sirviéndonos para ello de cargas de saturación matérica y de los realces finales.
El medio de la acuarela aporta expresividad y delicadeza para captar un momento de intimidad.

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