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Masters

Five geniuses of painting who never saw their own success

Adriana Vega Adriana Vega | October 29, 2014 | 5 |
Five geniuses of painting who never saw their own success

191.6 million euros was the price the Qatari royal family paid in 2012 for Los jugadores de cartas. Paul Cézanne's painting broke a record in the art market, becoming the most expensive in history. In his own day, though, he was an ignored genius, something he has in common with other masters of painting.

El Greco (1541- 1614)
Doménikos Theotokópoulos became a source of inspiration for the avant-garde. Cubism and Expressionism found sheer genius in his brushwork. Quite the opposite was the opinion of Philip II, who was not pleased with the version of El martirio de San Mauricio he had commissioned for the Monastery of El Escorial. During his lifetime he had success with his paintings close to Titian, but his late style was considered extravagant and even ridiculous. Recognition for his visionary proposal came in the 20th century, once his work began to be studied.

Martirio de San Mauricio. 1582. El Greco
Martirio de San Mauricio. 1582. El Greco

Johannes Vermeer (1632- 1675)
He made a living more as an art dealer than as a painter. He worked on commission for patrons and his output is small: 35 paintings. Although he enjoyed a certain fame for his quality, after his death he was forgotten. In 1866 the journalist Thoré-Bürger rediscovered him and, years later, interest in his work resurfaced, coinciding with the Impressionist outbreak. Vermeer had got ahead of the movement, already looking in the 17th century for open-air painting with an innovative treatment of light and colour.

La joven de la perla. Hacia 1667. Johannes Vermeer
La joven de la perla. Hacia 1667. Johannes Vermeer

Paul Cezánne (1839- 1906)
Henri Matisse declared: "Cézanne is the father of us all", referring to the movements of the 20th century. An idea that Pablo Picasso also endorsed. That credit was not granted to the French painter in his own time. Only in the last years of his life did Cézanne's work begin to be valued. It was from 1907, with the posthumous exhibition in Paris, that his artworks became a revelation for his contemporaries.

Los jugadores de cartas. Hacia 1893. Paul Cézanne
Los jugadores de cartas. Hacia 1893. Paul Cézanne

Paul Gauguin (1848- 1903)
The success Gauguin had as a stockbroker was not something he found in his passion, painting. He left his job in 1882 to devote himself entirely to painting. He never won over the critics at the exhibitions of his artworks, though. It was after his death that his idea of art triumphed and achieved international success. He died poor and disappointed in the Marquesas Islands, where he had gone in his tireless search for the primitive.

De Dónde venimosQuiénes somosAdónde vamos 1897. Paul Gauguin. Paul Gauguin
¿De Dónde venimos? ¿Quiénes somos? ¿Adónde vamos? 1897. Paul Gauguin

Vincent van Gogh (1853- 1890)
The Dutch painter closes the dramatic Post-Impressionist circle, and his personal vision, so far from the established boundaries, condemned him to immediate failure. Van Gogh, like his companions, became a genius after his death. He painted more than 900 pictures, but sold only one in his lifetime, Viñedo rojo (1888), months before he died. His fame grew quickly after his early death. Johanna, the wife of his brother Theo, promoted his work and organised several exhibitions across Europe and the United States. That was when the artistic revolution Van Gogh had put forward managed to make an impact.

Autorretrato. 1889. Vincent van Gogh
Autorretrato. 1889. Vincent van Gogh

Misunderstood by those around them, they defended their own conception of art, even if it kept them far from success.

Comments (5)

Leonardo

Leonardo

November 16, 2017
pobres artistas que no pudieros cumplir sus sueños en vida.... les doy las gracias por tanto y me saco el sombrero a su honor.
Manue G Moncada

Manue G Moncada

January 12, 2017
Ahogándonos en un materialismo total, es refrescante encontrar páginas como la suya. Gracias.
salvador barroso

salvador barroso

September 17, 2015
Tienes razón Paola,al nombrar a Amedeo Modigliani, el gran ausente del comentario, pero ahí están sus obras maravillosas, para que podamos disfrutarlas al natural y a travé de infinitas reproducciones. Jamás nos cansaremos de contemplar las bellísimas y singulares pinturas de "Modi",para que no olvidemos nunca el amor al Arte, que practicaron y practican tantos artistas "malditos" del pasado y del presente.

Un abrazo de

Salvador
Paola

Paola

November 6, 2014
Disculpen pero y el Sr Modigliani??
pedro martinez

pedro martinez

November 4, 2014
Me encantan los IMPRESIONISTAS ( TODOS)..sobre todos RENOIR,GOGAIN,TOULOUSE LAUTREC, ETC.. el que no me convence mucho es EL GRECO¡¡, demasiado tétrico..'