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Hay realidades que preferimos no mirar, pero que están ahí, habitando los márgenes de nuestras ciudades. En esta obra he querido atrapar ese instante de vulnerabilidad y resistencia: un hombre, su carro con lo poco que posee y el refugio temporal de un arco de piedra. Mientras la ciudad se alza orgullosa al fondo, él permanece en la sombra, en ese espacio donde el tiempo parece detenerse. He usado la acuarela para dar calidez a su entorno y la tinta para definir la dureza de su situación. Los goteos finales no son solo estética; son la representación de una identidad que se desvanece ante la mirada indiferente del mundo

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