Photo of Enrique Piñerua
Enrique Piñerua
Venezuela

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Biography

Eduardo Enrique Rodrguez Pierua. The utilization of sculptural language has been present in my creative process from my beginnings in this concern of art. Both three-dimensional handling of form, texture and color, Ascom space, have been important to develop my concerns and ways to interpret the context in which I have unfolded throughout life. The face of the sculpture as something palpable and real as it occupies and exists in space / time, determines what I want. The jewelry as a parallel...
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Photo of Enrique Piñerua
Enrique Piñerua
Venezuela

Eduardo Enrique Rodrguez Pierua. The utilization of sculptural language has been present in my creative process from my beginnings in this concern of art. Both three-dimensional handling of form, texture and color, Ascom space, have been important to develop my concerns and ways to interpret the context in which I have unfolded throughout life. The face of the sculpture as something palpable and real as it occupies and exists in space / time, determines what I want. The jewelry as a parallel language has inspired me in terms of new and unusual forms taken into account, especially in contemporary art as a way of life and expression, as well as in many artistic movements in the history, jewelry has inspired many passages as a minor art that has been independent since the mid-twentieth century, the mere use acsesorial and decorative function of everyday life. Venture into fashion jewelry is to muna to delve into the artistic process, relacionndolo with sculpture, a technique escudrioa travs often meriting precision and thoroughness. 2007. Mention plastic arts degree in sculpture. Graduate Institute of Plastic Arts Armando Revern. Caracas. Art exhibitions held. 2006. November. Three painters, a sculptor. Action brought by the Industrial Bank of Venezuela Foundation. Center for the Arts Arturo Michelena. Caracas. 2006. October. Second Regional Salon of Young Artists. Contemporary Art Museum of Zulia. MACZUL. 2006. September. Young's first encounter with The FIAMM. Centro de Bellas Artes. Maracaibo. 2006. August. Second National Orfebrera Salon. Museum of Prints and Design Carlos Cruz Diez. Caracas. 2006. March. Collective benefit of the Foundation Eugenio di Loreto for senior edad.Centro of Fine Arts. Maracaibo. 2006. February. Shows sculpture entitled Eternal individual. Club Nautico de Maracaibo. 2005. November. Becoming Becoming. Group show presented in the exhibition space Metro Station of Fine Arts from the Graduate Institute of Plastic Arts Studies Armando Reverna selected student work. Caracas. 2005. August. Orfebrera First National Salon. Centro de Arte La Estancia. Caracas. 2004. November. Collectively entitled to be a sculptor. Antiques and Art Gallery 700. Maracaibo.

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