Review: José María Ordeig Corsini
When the first Impressionist exhibition was held in 1874, nobody imagined the importance of what those pioneers were cooking up. Monet, Pissarro, Sisley and company had shaped a…
When the first Impressionist exhibition was held in 1874, nobody imagined the importance of what those pioneers were cooking up. Monet, Pissarro, Sisley and company had shaped a…
A piece over a metre and a half tall, slightly warped and rough, with circles turning all the way around it. It looks like a trunk, without a crown or leaves, rising out of a pedestal of polished stone cut to perfection…
It isn't hard to picture Miguel Robledo Cimbrón in his studio, drifting through the mystical chords of Eastern music and letting shapes and colours flow to build his spiritual latticework…
2016 is turning out to be a great year for Alberto Kissola (Setúbal, Portugal, 1962). A solo exhibition in his home town titled «La escultura en el deporte» has been the definitive recognition…
Carlos Casu has gone back to drawing. And we're glad. After many years away from it, and after (re)training in techniques like pastel and oil at José Luis Martín de Vidales' studio, the…
«I make images that intellect will never make». Joan Lalucat doesn't beat about the bush. He opens a book collecting his final project for his Higher Diploma in Illustration with this line by Francis Bacon…
Reading José Miguel Alguer's words about La mirada azul, we understand how much he loves this artwork. And we also gather that the artist enjoys what he does, that even though he doesn't make a 100% living from his artistic activity…
«Find a motif that steals your soul and your senses, and work it without blushing». This could be the basis of any artistic activity. The risk? Falling into repetition. The reward?…