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La Galera Rita Castellote presents the sample group Bad Head Hot Head. Possibly one of the leading exponents of current urban art Madrileo that have redrawn everywhere to tell what happens, because words can not. The so-called counterculture, herself, with her gestures, their idols, their music and artistic movements, became an object of consumption. The cultural rebelliousness of the 60s, which claimed the transgression, leisure, fun, etc. against the consumer society, not only did not change...
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La Galera Rita Castellote presents the sample group Bad Head Hot Head. Possibly one of the leading exponents of current urban art Madrileo that have redrawn everywhere to tell what happens, because words can not. The so-called counterculture, herself, with her gestures, their idols, their music and artistic movements, became an object of consumption. The cultural rebelliousness of the 60s, which claimed the transgression, leisure, fun, etc. against the consumer society, not only did not change anything, but besides creating a new market sirvipara cone and consolidate a system that absorbs everything and anything sells. The same thing is happening now with an urban phenomenon that takes a few years producindose in affluent societies and that is the alienation of young people from the traditional forms of social participation and the search a new way of intervention public. Emerging artists working together in groups or groups without hierarchy, marked by a tone generation and whose work provides both a purely playful, as an anti-afn critic and a strong desire to appropriate the public space. Currently the territory of art is everywhere. Artistic practices are steeped in the real world, seeking new ways to intervene as public. There is a loss of reference, fields that never enters Havana concerns art. The group The Hot Head is a representative of this movement: Javier Aristi (Madrid 1972) and David Fernandez (Madrid 1974) are part of this group, which others sometimes collaborating and working from a estn or 1993, with the theme: not anything goes, but if everything fits. A decade of counterculture rebelliousness that is already beginning to be absorbed by commercial channels, while retaining its freshness playful.

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