The first movements of his brush podr1amos obviously seen in germ comes from childhood, but there is a unique milestone start since 1976. At the age of twelve years to win the contest Cime de la Unicef in his hometown of Bogota. This achievement involves the granting of a scholarship from this organization which took advantage of far to go to study for the same date at the German Institute Whilhem Pieck. His tendency in art to walk the path and influence of the old masters of the famous Bauhaus movement prevailing in that school. his return to Colombia undertaken new studies viewed through the lens of pictorial conceptual art at the University de la Sabana, later graduated from there. Miguel Munoz an artist of diverse and deep desires dreams that have to do with the Colombian reality. Want to be painted differently and for this, nothing better than art. His works reflect the emotion of a unique human feeling mixed ancestry of the Bauhaus and the dimension of the Caribbean. feeling warm and bright spirit transmitter of Latino, representing long life and overcoming death. MIGUEL MUNOZ IN 2003 THE BASE CONCEPTUAL WORKSHOP OF PAINTING By looking at the work of this contemporary Latin American painter is the projection of a personality that wants to make art an instrument of redemption for man, for women, for children. From another angle of observation, can be felt the expressive power of their knowledge of the subject. Its modern and bold approach imprisons So every stroke of his brush and the inspiration that leads to your passionate mat1z of colors, has been a material love immortal children. On these, every teacher could be reflected if actual sow illusions in those tender and promising lives, and to that end, better than paint, which can make an enduring and healthy germinating can remember will cast in the paintings and pictorial outlines of the future. Because he thinks that love for art that can breed in them, create new paths, a kind of new generations more human, more real, imagine experiences producing multicolored VIDA dignity and other terms, this means that work and Miguel Munoz's work are identified with the social context that surrounds the historical record and abstract iconography for which it should be if we decipher watchful eyes rightly the good message behind it. This is a job that has passed several stages until reaching its current interpretation by a contemporary vision of reality, man, pain, suffering, god ... Without being literalist his recent works are the result of an investigation of its own, supported from the sources who has been drinking, the schools he has worked getting pleasant influences. But what is interesting about this portrayal is when it succeeds in creating images that has ultimately become visual art, so that looks, to fashion an image that will help foster understanding the world we live in, because we are so and where the Renaissance in Europe vamos.Desde and through the distant stage now buried in the sands of human history up to the post-modern, painting has focused topics that somehow refer to the spiritual heritage. In fact thinking Miguel painting, learning is synthesized art that actually corresponds to that strange intuition or inspiration that accompanies the poet or painter, his intention is very unique, as it is based on the idea of making man ask for the grand purpose of this existence, not to forget that moment by moment life is slipping away like water through fingers. It should be noted that the vibrant colors seen in several of his works are the result of a search, a inquiry, to find ways how to live and die happily. Only in this way of making art is no meaning, no beauty, no bravery, as predicated of the universe and God and that Albert Einstein once said: God does not play dice. The synthesis of his art brings the familiarity of a classical aesthetic vocabulary, a color that is enriched with transparencies, textures and solids profiles that include the most unusual offer resources that could only paint, oil, acrylic, and aguarraz drawing on various techniques. Mnuoz Miguel's work is characterized by universality, freshness, spontaneity, and freedom, unique characteristics of abstract expressionism, which for over twenty years has shown throughout his great artistic expression. Chromatic strength of his work contrasts with the free lines full of vitality and spontaneous movement, transforming feelings of sadness anxiety, pain, suffering and disappointment, in peace, harmony, joy and love.