AMONG THE SURPRISES THAT CAN GENERATE Multiples PLACE AS THE VALLEY MEZQUITAL, in addition to their landscapes, STORIES AND THEIR AMAZING HEAVEN IS POWER IN THE CHARACTERS FIND LUNA FRANCISCO TAVERA, multifactorial MAYOR AND MAIN COMMUNITY Otomo, CONCERNED BY THE KNOWLEDGE THAT RESCUE AND vindication of ancient cultures. BORN IN Alfajayucan, has devoted much of his life to know, understand and reassess SO MUCH OF THE SCHOLARS OF Hahua anthropologist COULD NOT WATCH HAVANA: THE PROCESS CULTURAL COMPLEX, symbolic, RITUAL THAT IN THE DAILY PRACTICE OF COMMUNITIES, ACQUIRES IMPORTANT MEANING FOR YOUR LIFE AND THAT IS OF FUNDAMENTAL IMPORTANCE FOR CULTURAL DIVERSITY comprehension OF CENTRAL MEXICO. As a researcher of their own experiences and experiences, is able to express different ways such as poetry LANGUAGE FROM Otomo, AND IN THE DOCUMENTS Paleographer TRADUCCINY OLD, AND AS INFORMANT THAT UNVEILS MEANINGS. His interest to express and reinterpret the Otomo CULTURE HAS TAKEN TO THE RESCUE OF TECHNICAL ANCIENT pictorial, PAINTINGS WANTED LAND IN THE SADDLE AND CANYON MEZQUITAL, PLANTS, INSECTS RACES THAT nectar STICK TO SERVE AND WERE USED FROM THE LITTLE preHispanic, your practice as artists, as painters like WEAVER, HAS BEEN AN EXPERIMENTAL anthropologist LUCK FINDING THE BEST COMBINATION AND DEVELOP AS SHIELDS featherwork, CDIC and paintings, returning REPRESENTATIONS Otomo, delight OBSERVER FOR ALL THE MEANING AND THE WORK THAT LEADS. LUNA FRANCISCO TAVERA NOT OVER STILL INVESTIGATING STILL WALKING THE LAND AND CHASING arid CDIC ANCIENT AND DOCUMENTS lets you raise their understanding Otomo ON BECAUSE AS IS ABLE TO EXPRESS WITH A NEW DIRECTION s academic Aesthetics AS MUCH IN THE LETTERS IN THE PAINT, FOR KEEPS CONCERNED IN KNOWING (SE) Alfajayucan BEST AS NATIVE AS SERVANT, AS MAYOR OF THE Otomo. DR. FERNANDO LOPEZ AGUILAR in Archaeology. INAH. MEXICO, DF ----------------------------------------------- -------- FRANCISCO R. TAVERA MOON IS A SINGULAR MAN (EVEN THOUGH WE ARE UNIQUE TOD @ S). BORN IN MID-CENTURY IN TIMES PAST THAT WAS VERY Socorro INDGENAS IDEA THAT SHOULD DISAPPEAR AND THAT THE BEST WAY TO DO IT WAS SIMILAR TO THE NATIONAL CULTURE, NOW BE SAID TO M IMAGINARY MEXICO. MAM BUT DE FRANCISCO, SCHOOL TEACHER, IS FOUND NEAR THE VILLAGE LIFE HHU, ITS PEOPLE, NOT TIME TO WORRY TENA FOR INTEGRATION WITH THOSE CRAZY, BECAUSE IT WAS URGENT THAT SEARCH THE CHILDREN GET TO SCHOOL WITH SOMETHING THAT FEW DRINKS MS OF MEAD, AND CHILDREN CAN OFFER TO KNOWLEDGE TOOLS FOR SOME THAT MAY BETTER DEFEND THE TERRIBLE MARGINACINA THAT LAUNCHED HABA NATIONAL SOCIETY THE VALLEY OF MEZQUITAL. Francis then CONVIVIO and shared the life and culture to his people. AND TO ALL THOSE THAT WITH CONTRADICTIONS AND HOPE, LIVES OF SOCIAL AND CULTURAL PROCESSES OF END OF THE CENTURY, AS A PARTICIPANT IN SOCIAL, POLITICAL AND RELIGION THE PEOPLE. IN Alfajayucan (YOUR TOWN) POVERTY WAS SO GREAT, HOW GREAT THE WILL TO LIVE. THE CRIES OF COMPLAINT AGAINST THE WORLD AND HOPE THAT the marginalized and impoverished FOCUS ON DAS, SACRED SPACES AND ACTIONS. THE WAR AGAINST HUNGER IN GREAT BATTLES ARE FOUGHT IN WHICH Lord of WINTER NIGHT, THE NORTH, THE PATRIARCH SEQUAY (XITHS) were defeated by the Lord Of THE SPRING, THE DA, RAIN, THE SOUTH, THE SACRED FERTILITY AND FEMALE. BARRELS (MS THAT BECAUSE THEY WERE POTS) BLESSED WITH HANGING FOOD, FLOWER DRUM SONG OF PFAN AND SMOKE AND MEDIATOR OF COPAL WERE DISTRIBUTED TO ALL THESE WITH THAT NO SUCH ABUNDANCE Is no doubt of his triumph. FIRST AS A PARTICIPANT IN THESE BATTLES, THEN AS INTERESTED OBSERVERS AND LAST AS CARRIER, Francisco participate in those wars. ONLY AFTER ALL THAT AND ABOVE ALL THAT COULD UNDERSTAND THE WAR FOR LIFE FRESH PLASMA IN NORTH WALL (AND PRIOR TO THE SOUTH) OF THE CHURCH OF Ixmiquilpan. AS such as carnivals, the ritual cycle, the life cycle ... THE HEART OF CULTURE. At some point during their lives, MYSTERIOUS OLD PAPER STARTED TO SPEAK, READ IT STARTED TO LEAVE, THEN TO BE PERFORMED. FOR EXAMPLE, ONE OF THOSE PAPERS SAY BECAUSE Huichapan VALE OLD HISTORY IS WRITTEN IN THE PAPER OF A CDIC: THE CONSCIENCE OF THE STORY ROOTED AND ENLARGE THE PEOPLE, AN WHEN THE SAME STORY AS TOLD BY OTHERS IN OTHER SIDE, BUT HAVE BEEN TOLD THAT ALSO MEANS AQU AQU TRUTH has flourished. BUT ALSO THAT HISTORY IS IN THE STONE (THE CAVE PAINTINGS AND CONSTRUCTION), paintings, murals, embroidery and textile, folk art. AND THINGS ESTN AH, AH WITNESSED HISTORY, BUT SOMETIMES IT TAKES QUIN THE LEA, QUIN THE COUNT, QUIN THE VALUE, THE CARE QUIN. Teaches STONES THEIR CARE, READ YOUR PAPERS, ITS VALUE FABRICS, ENCOURAGE THE CUSTOM, reviving the rite, CLEAR CONSCIENCE, AFIANZA IN MANY WAYS THE HEART OF TOWN. AH HAVE BEEN OUR ROADS (OF MANY) AND WE FRANCISCO LUNA FOR JOINT WORK THAT STRENGTHEN THE HEART OF TOWN. INDGENAS PEOPLE NOT SIT ESTN, street, sleeping, folded his arms. CREATIVITY AND THERE ARE ARTISTS WHO KNOW THE ANCIENT TECHNIQUES OF THE OLD DESIGN AND SOMETIMES THE NEW WHY DO THEY PUT IN SHARE WHY RENEW WITH NEW PROPOSALS. NEW THINGS ARE APPROPRIATE, BUT IS STILL THE CENTER OF CULTURE. WHAT ABOUT A COPY OR designed CDIC TO SAY WHAT WE ARE LIVING, WE FRANCISCO AYAT BORD IN TEN AOS INDGENAS GAMES OR DID WE GET IN A LAND WITH GREAT WALLPAPER AND CRUSHED STONE CDIC A COPY OF CUSTODY FOR SOME COMMUNITIES TO EXPRESS THEIR RIGHTS, THEIR BELIEFS AND YOUR LIFE. WHO HAVE COME FOR AC, is the photographer Nacho Lopez, OR ARCHAEOLOGICAL OR THE FILMMAKER, WRITER, PAINTER, THE FATHER, anthropologists, linguists THE ... HAVE SOMETHING TO LISTEN TO THAT MEET THE BUTLER FRANCISCO, THE CRAFT, THE SINGER, THE rezandero, THE HEALER ... ARTISAN AND L SAME COLOR OF THE WORD, THE AMATE, THE RED AND BLACK INK. Then we FRANCISCO TO EXCHANGE WITH QUESTIONS, INTERPRETATIONS, THEORIES, FINDINGS, OR SIMPLY TO ENJOY A FEAST OF PEOPLE TOGETHER, WE SHARE THE RITE INVITE TO BE COMMITTED FOR LIFE, FOR THE FUTURE OF THOSE CALLED SOME HALF A CENTURY AGO archaic (and the record, at that time we still NOT RESPONSIBLE FOR ANYTHING RAMOS), when in fact TREATY OF MEXICO DEEP. WE HAVE TO BE SEARCHING FRANCISCO AND GIVING SUPPORT TO THE SLAUGHTER. NOW FOR THE YOUNG HAVE NOT ONLY WINGS IN FEET, BUT ALSO IN THE HEART FLOWERS. NOW, AT THE BEGINNING OF THE CENTURY IS IMPORTANT TO INVEST A LOT OF EFFORT TO IMPROVE THE ALOC Economic and emigration does not end with Wisdom WEALTH OF ANCIENT REMAINS THAT SPRING TO LIFE OF THE PEOPLE. BY NO LONGER NEED, BUT FOR PLEASURE, BE IMPORTANT throw us a jug of mead WHEN PARTY. San Ildefonso, 18 AUGUST 2007. BERNARDO Guzar SAHAGN, MAKJA. -------------------------------------------------- ----- RAMIRO LUNA FRANCISCO HAS DISTINGUISHED TAVERA ALONG YOUR LIFE BY THE INCAS IN THE RESCUE TASK AND CULTURE vindication H. BORN IN Alfajayucan HIDALGO AND UNDERSTANDING FROM YOUR CHILDREN OF THIS LANGUAGE ORIGINAL, HAS GROWN IN YOUR WALK THE passion for artistic creation CULTURE BASED ON THE FROM THAT has convinced her childhood. AT WORK plastics, has built a OWN WAY BASED ON THE STYLE AND TECHNIQUES THAT HAS IDO preHispanic COLLECTING IN YOUR COMMUNITY FOR RESEARCH, DOCUMENTS AND MONUMENTS IN THE LAND THAT HAS Plasma, INSECTS , NECTARS, ETC., A WORLD FIGURACIN struggling to maintain, IN images that evokes the power of an ancient culture that seeks its place today. THIS WORK IS NOT JUST plastic consolidation of artistic TAVERA MOON BUT addition PERSISTENCE IS THE MEANING OF A CULTURE THAT CONTINUES REVITALIZNDOSE CONNECTING THE PAST TO THE FUTURE, MAKING AN FRANCISCO RAMIRO LUNA TAVERA Tlacuilo preHispanic IN THE XXI CENTURY. HERNENEK MEJIA LARA. Anthropologist. INAH. MEXICO, DF ----------------------------------------------- -------- TLACUILOLIZTLI: A TRADITION RECOVERED THE ART OF LUNA FRANCISCO TAVERA IDENTITY IS NOT SOMETHING STABLE AND ANCHOR THE PAST, BUT A CHANGING CONSTRUCTION, reinvented AND REBUILDING AMPLINDOSE SAME AS IN EVERY RITE IN EACH DANCE IN EACH OF THE CULTURE manifestation of a people. SLO A TRAVS OF TRANSFORMATION, THE CONSTANT adaption RECUPERACINY A new circumstances, the indigenous culture in Mexico have been preserved and Reconstituted SAME AS ALONG THE 500 ECENT OSA. LUNA FRANCISCO'S WORK IS AN EXAMPLE TAVERA contemporary and bold recovery and reconstruction of a tradition FORGOTTEN, THE PAINTER OF Tlacuilo O Otomi that through ETNGRAFO OF KNOWLEDGE AND Dedication N THE ARTIST FOLLOW IN THIS EXHIBITION A REPRESENTATION OF THE ESSENCE OF THE CULTURAL AND RELIGIOUS IDENTITY HAH. A PATIENT'S TRAVS search and recovery SOURCES OF FIRST-HAND, CDIC and written documents, archaeological and wall paintings or CAVE, THE ARTIST SELECTED SOME OF THE REPRESENTATIVE MS images THE CULTURAL UNIVERSE OF PEOPLES OTOMIANOS STATE OF HIDALGO. BUT TRAVS SOURCES AND ORAL OR WRITTEN TESTIMONY ethnographic, YOUR WORK OF RESEARCH HAS ALSO INCLUDED THE RESCUE OF ANCIENT KNOWLEDGE REGARDING THE PREPARATION ANTGUAS FORMS OF COLOR AND PAINT , FROM THE LAND, MINERAL AND PLANTS of the region. LUNA FRANCISCO TAVERA APROXIMACIN PRESENTS A POWERFUL TO ART AS A FORM OF KNOWLEDGE BSIC recovery of REVALORACIN SO NECESSARY FOR THE CULTURE OF THE VALLEY Hahua MEZQUITAL. USING VARIOUS MATERIALS AS SUPPORT TO REPRESENT THE ORIGINATING images FORCES OF CREATION AS OUR FATHER, TZI DADA, THE SUN, STRESSES SUPPORT FOR CALL SHIELDS (Bubai IN Otomo O chimalli IN NHUATL) PROCESSED AMATE WITH PAPER AND PENS VARIOUS BIRDS, ONE BY ONE WASHED IN WATER HUGE CUUBETAS COMBED WITH PATIENCE AND RITUAL TO HIGHLIGHT THEIR POWER AND PRESENCE AURTICA Aesthetics. WITHOUT DOUBT THE SHIELD IN Multiple and SIGNIFICACIN INDGENA IS COMPLEX AS A PROTECTIVE SHIELD YFSICA symbolic, PODEROO AS SIGN OF STRENGTH, THE SHIELD AS AN INDICATOR OF IDENTITY OR REPRESENTATION OF THE SAME ESSENCE A VILLAGE: AND IN THE TRADITION OF RECOVERED Tlacuilo: my friend, THE MASTER THE COUNTESS Fraciscan LUNA TAVERA, JULY 2007 MSTRA. VISUAL anthropologist LIPKAU ELISA, UNIVERSITY OF LONDON SCHOOL NATIONAL Anthropology and History, MEXICO